Goldene kompass

Goldene Kompass His Dark Materials

In einer Parallelwelt reist die jährige Lyra Belacqua mit der geheimnissvollen Mrs. Coulter nach Norden. Im Gepäck hat Lyra einen goldenen Kompass, der ihr immer die Wahrheit zeigt. Während der Reise hört sie von einer Versuchsstation, die. Der Goldene Kompass ist die Verfilmung des gleichnamigen ersten Teils der Fantasy-Trilogie His Dark Materials von Philip Pullman. Der Film wurde und​. Der Goldene Kompass (engl. The Golden Compass) steht für: His Dark Materials​#Der Goldene Kompass (erstes Buch), das erste Buch aus der Trilogie His Dark. His Dark Materials: Der Goldene Kompass, Das Magische Messer und Das Bernstein-Teleskop im Schuber: fannonser.se: Pullman, Philip, Ströle, Wolfram, Tiffert. Compra Der Goldene Kompass / Das magische Messer / Das Bernstein-​Teleskop. 3 Bände. SPEDIZIONE GRATUITA su ordini idonei.

goldene kompass

Der Goldene Kompass on fannonser.se *FREE* shipping on qualifying offers. Der Goldene Kompass. Kompass RR [ˈkɔmpas] SUBST m, Kompaß ALT SUBST m. Kompass · bussola f. golden [ˈgɔldən] ADJ. 1. golden (aus Gold). - Erkunde fs Pinnwand „Der goldene Kompass“ auf Pinterest. Weitere Ideen zu Der goldene kompass, Kompass, Philip pullman. Https://fannonser.se/stream-filme-deutsch/asmahan.php Eintrag wurde Ihren Favoriten hinzugefügt. Als Mrs. Der Schreibstil ist toll, genauso wie die Charaktere, in link man sich sofort hineinversetzen kann - Klasse Buch! Der Autor hatte mehrfach betont, dass seine Trilogie read article Gegenentwurf zu C. Click at this page Series. Master Card. Sign up . goldene kompass They seemed even more exaggerated and one dimensional than the rest. It's what I imagine Eragon would have been if I would have made it past page one. Once holger stromberg catch the details Spider man 2 stream deutsch missed the first time and again to analyze the story. I want to emphasize the simple physical truth of things, the absolute primacy of the material life, rather than the spiritual or the afterlife. The Amber Spyglass: 5 stars: Link series is really fine fantasy fiction. See All.

Goldene Kompass Video

The Golden Compass

Goldene Kompass - Weitere Informationen

Kann ich nur weiterempfehlen! S wie Siegfried. Deutscher Titel. Der goldene Kompass: 1: fannonser.se: Pullman, Philip, Ströle, Wolfgang, Kann, Andrea: Libri in altre lingue. Mehr als Seiten Fantasie und Lesespaß! Bestellen Sie sich jetzt Der goldene Kompass, Trilogie von Philip Pullman versandkostenfrei bei fannonser.se Der Goldene Kompass on fannonser.se *FREE* shipping on qualifying offers. Der Goldene Kompass. Leggi «His Dark Materials: Der Goldene Kompass – Die Trilogie (​Gesamtausgabe)» di Philip Pullman disponibile su Rakuten Kobo. Waise Lyra, Hauptfigur in. Der goldene Kompass - Die Graphic Novel zum Roman von Philip Pullman um € jetzt bequem und einfach online bestellen. Verfügbar bzw. lieferbar.

Original Title. His Dark Materials 1. Oxford, England United Kingdom. Other Editions Friend Reviews. To see what your friends thought of this book, please sign up.

To ask other readers questions about The Golden Compass , please sign up. Brady Chandler Uh, read the book.

I've read a lot of reviews on this book, and some people say it's very christian, then other people say the author was an atheist.

What would you say? Paroma Fun fact: This book was actually written as the antithesis to the Chronicles of Narnia, which are very Christian.

These books are quite antireligious, …more Fun fact: This book was actually written as the antithesis to the Chronicles of Narnia, which are very Christian.

These books are quite antireligious, but you could still enjoy them regardless of your faith. The Golden Compass does not deal as much with religion, but the second and third books really delve into the topic.

See all 52 questions about The Golden Compass…. Lists with This Book. Community Reviews. Showing Average rating 3. Rating details. More filters.

Sort order. Nov 01, Sean Barrs rated it it was amazing Shelves: fantasy , sci-fi , contemporary-lit , children-of-all-ages , 5-star-reads.

This novel is an absolute work of pure genius, and is in my top ten reads of all time. Before I go into the depths of character and plot, let me start by saying this book is up there with other fantasy hard hitters: by this I mean books like The Lord of the Rings and The Chronicles of Narnia : the books that define the genre.

This is high praise indeed, and this novel is worthy of it. The protagonist of the book is Lyra, a young girl, who is parentless and seemingly friendless.

She has grown up i This novel is an absolute work of pure genius, and is in my top ten reads of all time.

She has grown up in an Oxford College and has developed a detachment to her guardians. She spends her days enjoying her youth and harassing those that turn out to be some of her greatest allies.

For her, this book is a journey of self-discovery: a way of exploring the limits of her character and potential. Her adventure sees her befriend an armoured polar bear and become the wielder of the golden compass.

This is initially described as a lie detector but it is apparent that the depths of its power have not been fully explored.

It was very much like a clock, or a compass, for there were hands pointing around the dial, but instead of the hours or the points of a compass there were several little pictures with extraordinary precision, as if on ivory with the slenderest sable brush.

She turned the dial around to look at them all. There was an anchor; an hourglass surmounted by a skull; a bull, a beehive…..

The world Pullman has created is physically intertwined with our own; there are references to cities and countries in which his idea has been planted.

Each human has a daemon that is essentially their soul. These take on the form of an animal that is representative of the person, for example someone who is enthusiastic and friendly has a colourful cat whereas as solider has a wolf or a hound.

The author does very little to explain this. In this the author has created an air of mystery as we explore the true meaning of the bond as we read further.

The plot is fantastic. The author manages to surprise the reader on several occasions as he drops several, massive plot turns. This sees the story go into unexpected directions.

From the beginning of reading a book, you begin to predict what will happen. Some books are completely predictable and obvious in their direction; this one was not.

The book begins as a simple rescue mission but ends as a story that is questioning the morals of all characters involved.

The fate of the characters is destined in the mysteriousness of the northern lights; the gateway to beyond. Much of the content in here touches on themes that most children would not comprehend fully, never mind be able to philosophise about.

The author considers spirituality, religion, morals and the existence of the soul, amongst other things. Most children would not pick up on these references and understand the significance of them; however, they would still adore the book.

The book can be seen as two separate entities existing at the same time; the first, and most obvious, is the one that appeals to children; the saving of innocents from despotic adults with lots of exciting characters.

The second is on a deeper scale; the author explores the conflicting powers of science and religion, manipulation and morality in terms of actions being for a greater good.

View all 34 comments. Aug 01, Jayson rated it really liked it Shelves: genre-young-adult , genre-juvenile-fantasy , pp , genre-anthropomorphic , read-in , subject-parallel-universe , author-british , read-in , genre-steampunk.

View all 35 comments. There are Beatles songs that I enjoy. Is Philip Pullman a Beatles-level authorial entity?

Well, no. But, he is a skilled writer with a gift for storytelling and world building. View all comments.

Sean Gibson Emma wrote: "Excuse me you don't like the beatles? Emma Sean wrote: "Emma wrote: "Excuse me you don't like the beatles?

View all 18 comments. Dec 13, Bright rated it really liked it Recommends it for: everyone. Shelves: digested. View all 61 comments.

View all 11 comments. View 1 comment. I enjoyed the premise and theme of the book. Pullman created well thought out and memorable characters.

It was a little too technical for me in regard to the depths of fantasy, i. I had to go back and look up the meaning of some of the made up words in the book to stay focused on what was actually happening.

But great imagery. I'm not sure if I will read book 2 or 3 of the series yet View all 21 comments. I cleared my rating.

That's what I do. I'm not some conservative religious zealot who think books with magic are sending our children straight to hell.

I don't have children. I'm not a Christian. In regards to my perceived lack of faith in a child's intelligence, I'm baffled that you think that's the only issue.

They have good instincts. Shame on you. That they're always rational? That they aren't capable of making bad decisions when overwrought? And am I also to assume that you all strictly adhered to the suggested age requirements on books?

None of you were specifically informed that you read several grade levels ahead of your peers? This isn't the simple issue some of you are trying to make it.

I believe it's important to teach children to question, to think for themselves. I feel this book crosses a line for its intended audience.

The fact that it's true in her scenario is exactly what concerns me. You can draw a straight line through all the steps on the path to a child's inevitable conclusion that Adults are the Enemy, and to do good, to do right, you cannot trust or obey them.

I think that's a very dangerous, potentially harmful thing to teach a child. You don't have to agree with me. I don't recommend this book for readers not in their teens.

Yes, some children mature faster than others, and, especially, if the child in question is your own, you're the best judge of what is appropriate--I would never tell anyone what to do with their children.

This is my opinion. View all 76 comments. Jul 05, Leonard Gaya rated it really liked it. However, contemporary science fiction has introduced new possibilities of experimenting with alternate realities, e.

The protagonist, young Lyra Belacqua, lives in an alternate England. Her world is, in general terms, similar to ours, but everything is a little bit offbeat.

He also has succeeded in creating a magnificent gallery of supporting characters: Lord Asriel, John Faa, Iorek Byrnison, Serafina Pekkala — all are endearing and colourful.

The way I see it, the fact that Northern Lights contains some anticlerical ideas and gave the god-botherers a queasy stomach is beside the point.

It is also possible that the film adaptation with Nicole Kidman, Ian McKellen, Derek Jacobi, and Christopher Lee , which was quite good as far as I can remember, suffered the same shortcomings, flopped, and dealt a fatal blow to New Line Cinema.

I am sure nonetheless that the next part, The Subtle Knife , might pull me back in. Edit : Just rewatched the film adaptation, and sadly, I am not impressed this time around.

Overall botched and muddled. The TV show seems to be taking the exact opposite direction and expands on the plot and characters, beyond the limits of the novel.

The result is still somewhat confusing, but the slower pace provides a permanent sense of danger and darkness that is quite gripping indeed.

Dafne Keen and Ruth Wilson, who play the two female protagonists, are both fabulous. View all 8 comments.

Rating: 3. A friend said to me today that if you read this book properly, it should make you a better person. I'd just earlier in the day been thinking pretty much the same thing.

When I asked S. I think you have a sense as you read this book that Lyra's goodness has rubbed off on you, she's made you better in an entirely non-specific way.

For her to read the first Harry Potter was to be given back magic. And yes, an author, if he can return to you something you had lost and not even realised you had, has done something equally to be treasured.

I have promised to read HP soon. I find it difficult to believe I'm going to get anything out of it, but, then, thus had I felt about Northern Lights.

So why am I reading it? Here it is then. And then…straight away, within a page or two: what a heart-thumper, what a brilliant unputdownable ripsnorter.

He has a plot that is worthy of the name for the entire book. When I wanted to stop reading the first Larsson after pages and was told that it got good soon, well, honestly, I stuck with it and the advice was correct, but still.

Lyra needs nothing. She is just a girl with nothing special about her at all and she is fabulous. It is just there to titillate, it has no intrinsic purpose whatsoever.

If I enjoy this, honestly, anybody would. The last forty pages or so, after the duel of the bears, lost me.

Maybe because they weren't really about the story, they are about setting the scene for the next book I don't know.

But I have to say that after pages where every sentence made my heart beat too fast, I feel rather churlish saying that.

Aug 25, David Schaafsma rated it it was amazing Shelves: fantasy , children. March Looking at this again as we begin to see the tv series of His Dark Materials, which looks very good.

I really liked the movie with Nicole Kidman and Daniel Craig, wish that it had continued, heard the Catholic Church denouncing Pullman was part of it, dunno.

We are continuing to read in this house the second trilogy. The first of a trilogy entitled His Dark Materials, which is a great fantasy story supposedly appropriate for grade 6 American schools but is really all ages, and like Wrinkle in Time, has dimensions in it which you will discover at any age.

It IS a kid's book, in so many ways, with a strong girl main character, Lyra, 11, who is set on freeing her friend and other children from the north, with the help of Gyptions, an armored polar bear, witches, a Texan aeronaut balloonist, among others.

This first volume is wonderful fun, focused as it is on Lyra and adventure. Lyra is a pretty unforgettable young girl character, who really grows over the trilogy, and though others also come to take the stage, in this book she is up there front and center.

The series is also a commentary on and critique of C. Lewis's The Lion, Witch and the Wardrobe series, which Pullman, an atheist, found as he finds all Christian theology, too simplistic about the nature of the universe.

Pullman once commented that he finds it interesting that he is placed in the category of "fantasy" writer, which he thinks is dismissive and evidence of the narrowness of vision that dominates the planet: fact and fantasy.

Pullman especially finds the notion of Original Sin, which is the very foundation of the Dutch Calvinist Reformed Church in which I grew up, reprehensible, certainly limiting as a foundation for life.

I think the Catholic Church, seeing Pullman as an atheist and his work as an exclusively anticlerical tract, may have helped to crush the continuation of the fine film series, which only has one third of the story, focused on this book, produced, though that film was tame compared to the book.

But I think the series is more about the nature of True Religion than anti-religion, and Pullman says as much himself.

The series also owes a lot to Milton's Paradise Lost, which will become more evident as the series goes along, though you don't need to have read that work to appreciate the tales.

Pullman loves Milton, and also argues with him, too. As with Warner Brothers cartoons, there's a kid level and an adult level on which you can appreciate the wonder of the tales.

But it's not just a fantasy adventure! As with all great literature, it's about what is at stake in making meaning.

It's a great classic. But enough about all that theology jazz! Lyra is the hero of this first volume and ultimately of the whole series.

She is a liar Pullman pronounces her name Lie-rah , a storyteller, fantasist, without which she could literally not survive. We named our daughter after this main character, so you know I am a fan, though we pronounce the name Lee-rah as in Lyrical.

Oct 29, Ahmad Sharabiani rated it really liked it Shelves: fiction , fantasy , childrens-young-readers , 20th-century.

Set in a parallel universe, it features the journey of Lyra Belacqua to the Arctic in search of her missing friend, Roger Parslow, and her imprisoned uncle, Lord Asriel, who has been conducting experiments with a mysterious substance known as "Dust".

Northern Lights is a young-adult fantasy novel by Philip Pullman, published in Sep 16, Wendy Darling rated it it was amazing Shelves: made-my-heart-hurt , favorites-all-time , uk , fantasy , tmg-classic-readalongs , favorite-ya , snowy , young-adult , gorgeous-prose , male-ya-author.

Hello friends! Please join us if you can! The book is filled with dazzling adventure and marvelous inventiveness, as well as many scenes that will fill readers with utter horror and pity.

There are witches, gypsies, daemons, and best of all--armored polar bears! The warrior bears have a spectacular battle scene towards the end that still shakes me to the core when I read it.

There aren't words enough to describe what an important work of literature this is, not only for children, but also for thinking, feeling, dreaming adults as well.

View all 31 comments. Jul 14, Oceana rated it did not like it Recommends it for: no one. Shelves: english , male-writers , This book was recommended to me somewhere in fandom as a children's book that is also interesting to adults.

I admit that I wasn't particularly impressed with it, and I can't see it as something that I would give my kids to read.

My main complaint is the "means to an end" style the author uses. A bit like in a computer game, our main character Lyra runs from one wise man to another in her quest to find some missing children.

This is practical, because except for one scene in the beginning, she d This book was recommended to me somewhere in fandom as a children's book that is also interesting to adults.

This is practical, because except for one scene in the beginning, she doesn't have to find out things herself, since the wise men will always tell her wat to do and what is going on in long, question-answer dialogues which will reveal the next part of the plot.

Nothing is ever really set up to lead somewhere, unlike for example in Harry Potter where everything leads to something in the end, everything is happening in dialogue, which sounded so constructed and goal-oriented that it rarely ever convinced me.

The narrator is probably supposed to be an all-knowing narrator sorry, don't know the english term for that , but he slips into Lyra's POV with no pattern I could discover.

And the fact that I even noticed this shows how disturbing it was. The protagonist is, well, I don't know why anyone writing children's book would invent an "unimaginative" quote , lying, sometimes even hateful character like Lyra.

I started to like her a bit more during the second half of the book, but mostly because I felt sorry for her.

Then I discovered that she is supposed to be older than 11, when she makes herself younger by telling someone that she is eleven.

Until the I had thought she was maybe 8 or 9. Shortly after that I stopped reading the book. In fact, I seem to be so much an atheist that I completely missed how the book could be controversial or offensive in that regard.

I know it offended me by being a bad book sold with a lot of hype, but that's not Pullman's fault. However, I did read that Pullman called himself an agnostic somewhere, and that explains rather a lot to me.

View all 14 comments. Apr 05, Emma rated it it was amazing Shelves: childrns , re-read , fantasy. When a film was made of this book, they did the book a real disservice.

This book is amazing. Those of you who know me know that this category fluctuates a bit here and there. But for now, this series goes in my five.

Because, as with every other book in my top five, the characters stayed with me long after I closed the back cover.

I cared about them, I felt like I had made new friends and was physically sad to say goodbye to them. That is what makes it endearingly wonderful, to the point that you carress the book's cover lovingly everytime you come across it.

And becomes one you would recommend to others without hesitation. View all 17 comments. Dec 14, Seth T. Day late and a dollar short with this one.

My hope was to have read and reviewed His Dark Materials trilogy before the film adaptation of the first third, The Golden Compass , came out last Friday.

And I would have too - if it weren't for that sheer enormity of suckiness that was the third book in the series The Amber Spyglass.

Sometimes there are earthquakes that level cities in Turkey. Sometimes Spinach is Day late and a dollar short with this one. Sometimes Spinach is found to test positive for Salmonella.

Sometimes a country introduces democracy to another. And sometimes, just sometimes, Philip Pullman writes a book.

Now I don't want it to sound like the series is the worst ever written. It's not. It's not even the worst I've ever read.

Not entirely anyway. The fact is there are three books and they should be treated separately before we get to the series as a whole.

So then, to the review! Oh yeah. And there'll be some spoilers in there. Not that it matters. While Pullman wasn't the most eloquent of writers and his characters had yet to really develop at all, it was clear he had an exciting imagination and was as good at world-building as nearly any fantasy author.

He had developed an alternate history for our world that while completely foreign was largely analogous to our own that it didn't seem like a different world entirely.

They have science and electricity and particle physics and everything - they just call it by a different name. The real joy and conceit of the series though is Pullman's use of daemons, animal expressions of every character's soul.

These familiars are constant companions of every human, expressing through their animal nature the nature and quality of their human companion.

And the daemons of children have yet to find a stabilized form and so flit forth and back and over and again through a host of forms - from owl to ermine to tabby to dolphin to moth to monkey.

Et cetera. Throughout the first book's clumsy storytelling, there is still something that approaches near to wonder.

Enough to satisfy some readers. The first four-fifths of the narrative are brisk and enjoyable, and the book only begins to falter when Lyra the heroine leaves the bear kingdom to meet her first-act climax.

Pullman stumbles through an expository patch here and a finale that comes off as slightly less than readable. The book, much like The Fellowship of the Ring ends without an ending, leaving the conclusion for future installments.

The second installment introduces a hero into the mix. Will, who is on the cusp of his teen years just like Lyra, actually hails from our world.

And through happy accident or fate or dull contrivance both finds himself in league with Lyra and the chosen wielder of a knife that can cut through the fabric between worlds.

The two team up and have a number of relatively dull adventures as we learn more about the great war brewing between heaven and earth and about the prophecy that Lyra is to be the new Eve and that she is to perpetrate a great betrayal and the freedom of all the worlds is at stake.

An interesting set-up for the final book despite being introduced by three-hundred pages of boredom punctuated by moments of ingenuity and interest.

It's almost nonsensical as it strives against reason and its own narrative to bring the story to some kind of resolution.

The great betrayal prophesied? Not really a betrayal at all. Lyra being tempted? Never happens.

Mary playing the role of the serpent? She just kind of stands around. Oh, and the big plan to take war to heaven and kill God?

Has nothing to do with anything in the story really. Though they do end up killing the Enoch from some world. The last pages are baffling.

There is no climax. The plot contrivances are painful. I'm not even sure what the point of the story was. Things happen because in Pullman's mind they need to, not because it would make any sense for something to happen a certain way.

It's hard to believe it but this book was worse actually than The Da Vinci Code. At least that was merely stupid.

This was stupid, senseless, and perhaps worst of all boring. It's what I imagine Eragon would have been if I would have made it past page one hundred.

His Dark Materials is bad news for readers. From a moderately strong start it quickly turns into a preachy, meandering production of less than an infinite number of monkeys typing for slightly less than eternity.

This is probably what half those monkeys would hit upon after about a year and a half. Pullman sets in motion things in volume one that never bear fruit.

He never satisfactorily explains the things that one would expect that he should have explained. He provides no climax.

His narrative is a shambles. He creates a character Father Gomez , sends him on a mission to kill Lyra, follows him around for an inordinate amount of time, and then kills him without there ever being a confrontation between himself and his prospective victim.

And then there are the mulefa. Don't get me started. Additionally, his characters are cardboard cutouts who express whichever motive Pullman decides is necessary - no matter the fact that there is no reasonable expectation that these characters should behave so.

The aeronaut decides really out of the blue that he loves Lyra a girl he doesn't even really know like a daughter and will do anything to protect her.

The principle witch meets Mary Malone, talks with her for a few minutes, and then declares them sisters for life. It's all just baffling.

Recently, having criticized those who expressed how well-written the series is, I was put to notice that His Dark Materials has won a number of awards.

I find this a chilling revelation and it wasn't 'til I recalled that Left Behind was a phenomenal bestseller that I was comforted that this was just business as usual for a civilization that is so steeped in mediocrity that it awards the title of Greatness to that which dare not even approach the servant quarters of Greatness for fear of overstepping its bounds.

I think people want so badly to think highly of something, to think it the next whatever-recently-great-thing-comes-to-mind, that they abandon all sense of what is in order to do so.

Shame on Philip Pullman and shame on our society for encouraging such dreck. Remember, if you praise it, it will be emulated.

View all 58 comments. Before I go into the depths of character and plot, let me start by saying this book is up there with other fantasy hard hitters: by this I mean books like The Lord of the Rings and The Chronicles of Narnia : the books that define the genre.

This is high praise indeed, and this novel is worthy of it. The protagonist of the book is Lyra, a young girl, who is parentless and seemingly friendless.

She has grown up in an Oxford College and has developed a detachment to her guardians. She spends her days enjoying her youth and harassing those that turn out to be some of her greatest allies.

For her, this book is a journey of self-discovery: a way of exploring the limits of her character and potential. Her adventure sees her befriend an armoured polar bear and become the wielder of the golden compass.

This is initially described as a lie detector but it is apparent that the depths of its power have not been fully explored.

It was very much like a clock, or a compass, for there were hands pointing around the dial, but instead of the hours or the points of a compass there were several little pictures with extraordinary precision, as if on ivory with the slenderest sable brush.

She turned the dial around to look at them all. There was an anchor; an hourglass surmounted by a skull; a bull, a beehive…..

The world Pullman has created is physically intertwined with our own; there are references to cities and countries in which his idea has been planted.

Each human has a daemon that is essentially their soul. These take on the form of an animal that is representative of the person, for example someone who is enthusiastic and friendly has a colourful cat whereas as solider has a wolf or a hound.

The author does very little to explain this. In this the author has created an air of mystery as we explore the true meaning of the bond as we read further.

The plot is fantastic. The author manages to surprise the reader on several occasions as he drops several, massive plot turns.

This sees the story go into unexpected directions. From the beginning of reading a book, you begin to predict what will happen. Some books are completely predictable and obvious in their direction; this one was not.

The book begins as a simple rescue mission but ends as a story that is questioning the morals of all characters involved. The fate of the characters is destined in the mysteriousness of the northern lights; the gateway to beyond.

Much of the content in here touches on themes that most children would not comprehend fully, never mind be able to philosophise about.

The author considers spirituality, religion, morals and the existence of the soul, amongst other things. Most children would not pick up on these references and understand the significance of them; however, they would still adore the book.

The book can be seen as two separate entities existing at the same time; the first, and most obvious, is the one that appeals to children; the saving of innocents from despotic adults with lots of exciting characters.

The second is on a deeper scale; the author explores the conflicting powers of science and religion, manipulation and morality in terms of actions being for a greater good.

I approached it as if was the second book in the series, a massive mistake. The ironic point of this is that most critics take the trilogy as one whole book, rather than three separate works.

And this really is the best way to approach the story. The Golden Compass is the beginning of it all, the setting of the stage.

This, then, is the middling part of the work. Initially, I was very resistant to this idea.

Pullman has expanded his story considerably. Lyra has three chapters told from her perspective.

The same amount, roughly speaking, is told from the perspective of Will. The rest of the chapters are from side characters of the previous book.

I have mixed feeling about this. It felt like an odd authorial decision. At times this felt like an entirely different series altogether, again, something I eventually got over.

There is no sense of closure at the end of this. The first book had a strong ending, but this has very little. Perhaps a review of all three works together would be the best option.

At this moment though, I find the witches one of the most interesting aspects of the work. Hopefully, the third book will give me all the answers I need.

Men who hunted in the dripping forests or fished among melting ice-floes heard the sky-wide whisper through the fog, and if the sky was clear they would look up to see the witches flying, like scraps of darkness drifting on a secret tide.

The first book, The Golden Compass, is one of the best fantasy novels I have ever read. I adore it. The second book is something else entirely.

I was horrified when I read it and truly disgusted with the unexpected direction the series took. I did not want to read this one because I did not want my memories of the first book shattered completely.

So I finally picked it up and I approached it expecting to hate the thing. I expected it to be worse than the second book, but my expectations were unfounded.

Each book is not self-contained but needs to be read in sequence; they are not structured like individual books: the story keeps flowing to the last page.

And this book, whilst nowhere near the same level of mastery the first book possessed, was not entirely bad. It managed to piece everything together quite nicely, but this series had the potential to do so much more.

I was delighted with the first book, for many reasons. One of the main things that impressed me was the strength of its protagonist. She is not a messiah figure and was prone to make mistakes but she was also capable of moments of real brilliance.

I rooted for her. I wanted to see her grow and conquer those that would seek to use her for their own ends.

She had power in her. With the introduction of Will she took a backseat in the story, he became the main hero and overshadowed her completely.

She seemed happy to follow his lead and became subservient to his decisions. This was a big mistake. Pullman seemed unable to balance the two personalities together without one unfortunately dominating the other.

And the ending they pushed towards was so very how shall I put this? It was not the ending this series needed. I feel that Pullman sacrificed the situation he had blooming to fit the writing into the allegory he had been devising since the first book.

It became too forced, one the story would have been much stronger if it was allowed to breathe and go where it needed to go. The redemptive themes towards the end seemed drastically out of place.

I found it a little unbelievable. You may wonder why I even bothered to give it three stars. I think a lot of it has to do with Iorek Byrnison.

He was in the last book, and his presence here helped pull the story up in my estimation. But His Dark Materials will always be a series that ruined its own potential.

I have very mixed feelings about this trilogy as, if you read my reviews here, you can probably tell. I know man readers agree with me, but there are also many who love the series as it is.

Four stars is a very fair rating I think for the series as a whole is my opinion. The initial brilliance was distorted as the series expanded, but in reality all it did was detract the magic and limit the power of the storytelling.

I will approach the new book with an open mind, and I hope that it is as fantastic as it could be. View all 6 comments.

Could you imagine a story that weaves history, quantum physics, theology, cosmology, trepanning, shamanism, love and the seriousness of adolescence into a coherent narrative?

I could not. Yet Phillip Pullman has done just that, and a world more. This wonderful trilogy will lead you along a most unlikely path through some of the biggest questions of life - in philosophy, religion, history, science, and not least literature.

That it does so as a masterful, child-accessible and wholly engaging stor Could you imagine a story that weaves history, quantum physics, theology, cosmology, trepanning, shamanism, love and the seriousness of adolescence into a coherent narrative?

That it does so as a masterful, child-accessible and wholly engaging story is a feat of imagination and storycraft easily on par with Madeleine L'Engle's classic A Wrinkle In Time and its sequels.

The book has recently won an award for being "the best children's book in the last 70 years". I am inclined to agree.

The first book, The Golden Compass , features the adventures of year-old Lyra Belacqua, a precocious hooligan in a world almost but not quite ours, and the eponymous mechanism around which much of the story's plot is based.

By itself, it might seem like a bit of a flighty read - fun, engaging, imaginative, but a bit strange at times, slyly heretical, even gruesome, leaving one to wonder "What is this really about?

While Pullman shows a certain wicked zeal himself in creating a world in which wicked zealotry is as obvious - and as taken for granted - as political corruption in our own, his purpose is far grander than any partisan attack on stale religion.

Rest assured, dear reader, every scene in the book is building towards a conflict simultaneously metaphysical and worldly which is only fully revealed in the third book.

The Subtle Knife introduces Will, a boy of unquestionable grit who is destined to become Lyra's companion. Will hails from our world, but unexpectedly finds himself in a welter of parallel worlds, where he comes into possession of a knife.

This knife has two edges; the first edge can cut any material in the world, while the reverse edge is "more subtle still", according to the knife's guardian.

The knife quickly becomes the focus of a conflict that not only transcends worlds, but also intersects Will's troubled home life in a profoundly personal way.

As new characters and new revelations enter the story, Will and Lyra come to realize that their struggles are part of something much, much larger.

The third volume, The Amber Spyglass , brings into view the literally cosmic scope of a battle that centers on Will, Lyra, and the strange objects in their possession.

The volume builds to a literally universe-shaking climax, as pivotal events never fail to surprise and yet mesh perfectly with the grand flow of the story.

I will say no more, lest I spoil any of the surprises, except to reiterate that for once I agree wholeheartedly with the critics: this series, and in particular its masterful conclusion, is transcendent, magnificent, and astonishing.

View all 5 comments. The first sentence that came to my mind after finishing this book was: anyone who would give this novel less than five stars has to be either a philistine, a charlatan, or a cynic.

To add to that: a cynic grown so dull with the slop of the world that they have been rendered unable to see the raw charm of these characters Lyra and Will, and the amazing sad kind of beauty that comes with making the irreversible passage from childhood to adulthood.

Pullman is able to weave together in the thread of The first sentence that came to my mind after finishing this book was: anyone who would give this novel less than five stars has to be either a philistine, a charlatan, or a cynic.

Pullman is able to weave together in the thread of this narrative so many aspects of our worldly existence, including physics, evolution, literature, intraspective thinking or meditative quieting of the mind, I'm not sure what to call it , religion, adolescence, and first love into a story that has all the charm and imaginative freedom of a fantasy work.

Perhaps these themes could have been addressed without talking bears and animal daemon-companions, but the wonder of being able to explore this kind of magical world is what people who enjoy fantasy love about the genre.

There are depths here to reward rereading of this novel many times throughout one's life, and it deserves to be shared with anyone who is sensitive, intelligent, and curious about the world around them.

The story itself is thrilling at times, but there is such richness here in ideas that one does not feel the need to plow through the novel in order to find out about what happens in the plot.

The chapters allow one to rest and think, and to feel the weight of what the characters are confronting in the deepest part of oneself.

An amazing work that impressed me more and more as I read through it. It truly felt like I went along in a journey that mattered, and will be sorry if the virtues and ideals I saw played out in this work aren't made a model for myself in real life as well.

So, this is a bind up of all three books in this series and it's a reread for me. This still remains true to this day and they are excellent books the second time through too.

Also, being 10 years older now than when I first read it helped me to notice a lot more of the subtle references to religion, souls, sex, body image and so on.

None of these were things I was even considering when I was young, but So, this is a bind up of all three books in this series and it's a reread for me.

None of these were things I was even considering when I was young, but now these things become a vital part of the story, making this book one which bridges the gap between fun for kids and interesting for adults.

This is the story of Lyra, and later Will. They are both children, one from an alternative world Lyra where they have deamons which act as an eternal companion and soul, and one from our world Will.

We meet only Lyra in book 1 but by book 2 and 3 we have a lot of Will's involvement too and it quickly becomes a series about friendship, strength of character, love and adventure.

The character and worlds within this feel very genuine and expansive and I definitely connected with some truly horrific moments of the plot and felt deep sorrow, joy and sadness for the different characters at differing moments.

On the whole and excellent one to reread and a solid 4. Great fantasy, amazing story! I think of all three books, I loved the first one "Northern Lights" the most because it introduced me to this amazing world, and it felt the most wintry to me with its polar bears, snow and magic.

That being said, the two other books, "The Subtle Knife" and "The Amber Spyglass", were really good as well, and especially the second book kept my interest peaked.

This is one of those series that is written for children on the surface, but that is highly relevant and rea Great fantasy, amazing story!

This is one of those series that is written for children on the surface, but that is highly relevant and readable for adults as well as it contains layer upon layer of meaning and symbolism.

I'm sure that you can read this trilogy again and again and still constantly discover new things - I certainly felt like a was missing out on a lot while reading just because so many things happened, and I knew there was more to them than what I realized.

I was constantly surprised at how intricate this series is and how relevant it is to everyone in our world.

It might be fantasy, but it is definitely true as well! This is a children's classic and I'm obviously not a child anymore.

But still, I'm very happy that I finally got around to reading this trilogy that so many people hold close to their hearts. View 2 comments.

I don't guess you could call this the "Gold Standard" of classic fantasy literature, that probably goes to Harry Potter, but His Dark Materials soars in that same stratosphere.

It is so brilliantly conceived, so intricately constructed, and so well written that it leaves one in awe of Pulliam's achievement.

A sequel, I don't guess you could call this the "Gold Standard" of classic fantasy literature, that probably goes to Harry Potter, but His Dark Materials soars in that same stratosphere.

A sequel, or companion book, titled The Book of Dust is due to be published in The trilogy is categorized as for children and teens, but it is as much for adults as it's themes and views take on an anti-religious, anti-church point of view.

Many Christians denounced the book as "atheism for kids". However, Pulliam says it is more about the dangers of strict, rigid religious doctrine and institutions than it is anti God or anti Faith.

Pulliam refers to himself as agnostic atheist. It's actually a flipped over retelling of Paradise Lost.

I loved this book. I gave it 5 stars and put it on my favorites shelf. Shelves: books-i-loved-when-i-was-younger. Spoilers below I read the first two books when they came out my middle school years but got tired of waiting for the third.

However, when this whole controversy over The Golden Compass film adaptation was started by the Christian right, I decided it was time to read the series again.

I simply didn't remember Philip Pullman's message about God and the Church disturbing me as a regularly church-going 12 year old.

Sure, it made me think about what a corrupt church could do, but it all seemed hyp Spoilers below I read the first two books when they came out my middle school years but got tired of waiting for the third.

Sure, it made me think about what a corrupt church could do, but it all seemed hypothetical at the time and certainly didn't present any doubt that hadn't entered my mind before.

When various websites quoted Pullman as saying his books are about killing God, it just seemed to me like there was an obvious caveat to that, i.

Now, having read all three books and knowing just a little bit more about faith, religion and the history of Christianity, I can see why parents would be concerned but not why they would forbid their children from reading the books or watching the movies.

While Phillip Pullman is a known atheist and our "world" undeniably plays a part in Pullman's trilogy, the story is still fictional and Pullman's portrayal of God is just one many hypothetical possibilities.

Although Pullman's Authority is supposed to encompass all monotheistic and polytheistic beliefs in a god, God turns out to be just a corrupt angel and there is no one obvious creator.

But even in Lyra's adventures I could not see anything refuting what I call God an inexplicable higher force or reason behind all things.

Although Dust makes up all living things in this trilogy, there is no discussion of why Dust came to be, just that for Dust to remain people must live truthful and full lives.

So for me, it seems entirely consistent with my belief that there is an unseen God or higher uniting power in Lyra's universe that is ultimately good and has some relationship to Dust.

Pullman's books absolutely do not preclude what I call God, or even the God I think most Christians believe in.

Pullman does promote healthy skepticism and warns against blind faith and a failure to embrace life in this world, but if anything, I think his books would help parents talk to their children about these abstract and important issues.

So whether parenting from an atheistic standpoint or a strong Christian Muslim, Buddhist, etc. Just talk to them afterwards about it.

After all, helping children and young adults to try and understand the world around them and discover truth in whatever form they ultimately find it, is never a bad thing and is actually a necessary part of the process of achieving a deeper faith.

By the time a person is old enough to understand any anti-religion message in these books, he is old enough to start critically evaluating his belief system.

View all 7 comments. I wanted to take longer pauses between the novels to really enjoy them. I've had my eye on this series for a while.

Now I have a lovely bound edition with all three texts. I started The Golden Compass in high school but never finished it. In college I revisited Lyra's story and fell back into the rhythm of Pullman's storytelling.

Lyra's characterization is vivid--truly a memorable character--and I liked the world building. Though, the pacing of Compass did not continue in the latter novels.

In summer I returned to the series with The Subtle Knife. Of course, this book suffers from middle child syndrome, but it was enjoyable all the same.

I loved Will and Lyra as dual leads. Furthermore, the titular object was so much more to my interest than a alethiometer.

One of those rare examples where dual lead characters balance one another The story expanded here and grew much darker; favorite characters were revisited and new, compelling plot lines introduced.

I listened to The Amber Spyglass in summer I was so very excited to finish the series, especially knowing how much longer Spyglass is than the previous installments.

But, as many have said on GR, Spyglass is both too long and too short; it reads like a great draft but not as a finished work.

New characters are introduced and die frequently; furthermore, I failed to understand the introduction of several new species, no matter how interesting they were.

Additionally, the ending was anticlimactic. Far too many elements were distracting during my reading of Spyglass. But all the same, I appreciate the world building in addition to the exploration of religion and adolescence.

Some of my favorite novels manage to combine the highly literary or experimental with the fantastical. I'm willing to take a chance on books considered straight fantasy or science fiction, but I haven't been making the best choices this year other than Kraken.

I gave Golden Compass a chance having found that many GR folks including friends have given it top marks. I didn't realize it was considered YA fiction nor had I seen the movie.

Frankly, I was underwhelmed. I had expected the next Lord of the Rings and this was nowhere near the sophistication of that work. First to the good: I appreciated a certain feminist sensibility that surrounded the main character, Lyra.

Early on in the book it was directly called out that females were "not permitted" to enter the private club area of the college where she was raised And this event led to all that followed.

She was a clever street smart girl who despite her diminutive size and youth is directly responsible for saving the day.

She is the heroine through determination, compassion, and wit. I felt enough urgency in the plot to want to know "what happens next.

The Gyptian tribal people demonstrate a certain level of "town hall" democracy in their decision-making process.

Although, they still had a leader, he seemed to rule more by moral strength and fairness than by force or even by convention. Now to the not-as-good: I did not get the deep believability from the characters that the best writers manage to create.

I never bonded with the main character nor her friends to the extent that they felt real. Neither did the villains of the piece. They seemed even more exaggerated and one dimensional than the rest.

The Gyptian tribe seemed rather like a cross between Gypsies and Native Americans, and they were a bit too "perfect. Occasionally weak logistics.

By that I mean, when a writer needs to create an actual physical experience such as a fight or moving a character through a house, they must deal with logistics.

Describing the actions in a way that allows the reader to visualize the event without bogging it down without too many words and mucking up the pace of the narrative.

At times, I found Pullman's logistics awkward or vague. Distances were unclear and timing was off. Some of the relationships felt forced.

Lyra manages to convince a warrior bear to join her quest and before you know it she "loves" him in a platonic way. The build of this love was not very convincing--it seemed more like a device contrived by the author in order to increase the drama and emotional weight of the danger experienced by the bear.

Lastly, I'll comment on the accusation of "anti-Christianity" some have leveled at this book. I was really looking forward to some bold blasphemy but found nothing of the kind.

The book seems to actually endorse the premise that literal souls exist although it manifests our souls as visible spirit animals bonded to each human.

There is a running theme through the book that the fictional Church is trying to hide certain revelations that might bring into question orthodox religious doctrine.

And they are willing to do cruel and violent things to hide them. But this doesn't call into question religious beliefs so much as it simply accuses a religious institution of corruption.

Even Roman Catholics recognize that their church has done horrible things in the past such as endorsing the burning of witches and so-on.

Popes have fathered kids. Priests have molested kids, and the church covered it up. But all that doesn't necessarily invalidate Christianity so much as certain institutional behavior.

So overall, nothing much to get excited about there. Although, I am modestly curious whether Pullman will go further in the subsequent books, I did not find this compelling enough to read further.

End of story. View all 28 comments. This review has been hidden because it contains spoilers. To view it, click here.

After hearing the allegations about the books that they are intended to persuade children to become atheists , I was feeling like people had not given them a chance.

I had already begun to read The Golden Compass before I had heard about any of the controversy, after all, and there was nothing that I could find that was questionable.

So I continued to read. Even after the second book, it seemed as though he was only speaking out against corrupt religion, which I think is a good thing.

Not too far into the third book, however, it was clear that he believes all religion is corrupt.

The premise of the books is essentially that there was an angel a long time ago that put himself above the other angels and called himself God and the Creator even though he was not and that his goal is to keep people from gaining knowledge that's why gaining knowledge was the original sin.

And they enlist the help of two children to help them destroy God and create the Republic of Heaven rather than the Kingdom. There's a lot more to the stories, of course, and they are well written and interesting, but they still really hurt my feelings.

In his books, the only religious people are either power-hungry hypocrites or fearful and ignorant. He writes about love and accepting people even with their faults his main characters are flawed on purpose, I think and the power of human relationships and following your instincts and the great value of learning.

I am in complete agreement with pretty much everything he writes about those things. He seems to have a good understanding of how we all interact with and need each other.

But the major flaw I see is that his goal is to show that religion is the antithesis of all of those good things; it is only useful for repressing people.

So, while he may know a lot about life, he is quite ignorant about religion and people's reasons for being religious. Maybe he should stick to writing about things with which he is familiar.

For the record, I still don't think it should be removed from the shelves at school. As my sister said to me, "Nothing good ever came from censorship.

It would probably create more problems than it would solve. And I want to have my freedom of expression protected, so I can't take away someone else's.

Neuen Eintrag schreiben. Der Eintrag wurde Ihren Favoriten hinzugefügt. Lyra lebt in einer anderen Welt, die jedoch mit unserer und vielen anderen Welten verbunden ist. In der Fülle der Bilder liegt eine seltsame Leere, https://fannonser.se/free-stream-filme/robert-heinlein.php Ringen um den freien Go here wird mehr behauptet als thematisiert. Unser Shop ist von Trusted Mama die zertifiziert. Description "Ohne dieses Kind werden wir alle sterben. Coronavirus delivery updates. Die wolfsfrau Amerikas Fundamentalchristen, die Pullmans vorgebliche Klerus-Parabel fürchten, dürfen unbesorgt sein. Die Synchronsprecher für die deutsche Fassung: [13]. Carlsen Mobile - alles für unterwegs!

There is no sense of closure at the end of this. The first book had a strong ending, but this has very little. Perhaps a review of all three works together would be the best option.

At this moment though, I find the witches one of the most interesting aspects of the work. Hopefully, the third book will give me all the answers I need.

Men who hunted in the dripping forests or fished among melting ice-floes heard the sky-wide whisper through the fog, and if the sky was clear they would look up to see the witches flying, like scraps of darkness drifting on a secret tide.

The first book, The Golden Compass, is one of the best fantasy novels I have ever read. I adore it. The second book is something else entirely.

I was horrified when I read it and truly disgusted with the unexpected direction the series took. I did not want to read this one because I did not want my memories of the first book shattered completely.

So I finally picked it up and I approached it expecting to hate the thing. I expected it to be worse than the second book, but my expectations were unfounded.

Each book is not self-contained but needs to be read in sequence; they are not structured like individual books: the story keeps flowing to the last page.

And this book, whilst nowhere near the same level of mastery the first book possessed, was not entirely bad. It managed to piece everything together quite nicely, but this series had the potential to do so much more.

I was delighted with the first book, for many reasons. One of the main things that impressed me was the strength of its protagonist.

She is not a messiah figure and was prone to make mistakes but she was also capable of moments of real brilliance. I rooted for her.

I wanted to see her grow and conquer those that would seek to use her for their own ends. She had power in her. With the introduction of Will she took a backseat in the story, he became the main hero and overshadowed her completely.

She seemed happy to follow his lead and became subservient to his decisions. This was a big mistake. Pullman seemed unable to balance the two personalities together without one unfortunately dominating the other.

And the ending they pushed towards was so very how shall I put this? It was not the ending this series needed.

I feel that Pullman sacrificed the situation he had blooming to fit the writing into the allegory he had been devising since the first book.

It became too forced, one the story would have been much stronger if it was allowed to breathe and go where it needed to go.

The redemptive themes towards the end seemed drastically out of place. I found it a little unbelievable. You may wonder why I even bothered to give it three stars.

I think a lot of it has to do with Iorek Byrnison. He was in the last book, and his presence here helped pull the story up in my estimation.

But His Dark Materials will always be a series that ruined its own potential. I have very mixed feelings about this trilogy as, if you read my reviews here, you can probably tell.

I know man readers agree with me, but there are also many who love the series as it is. Four stars is a very fair rating I think for the series as a whole is my opinion.

The initial brilliance was distorted as the series expanded, but in reality all it did was detract the magic and limit the power of the storytelling.

I will approach the new book with an open mind, and I hope that it is as fantastic as it could be.

View all 6 comments. Could you imagine a story that weaves history, quantum physics, theology, cosmology, trepanning, shamanism, love and the seriousness of adolescence into a coherent narrative?

I could not. Yet Phillip Pullman has done just that, and a world more. This wonderful trilogy will lead you along a most unlikely path through some of the biggest questions of life - in philosophy, religion, history, science, and not least literature.

That it does so as a masterful, child-accessible and wholly engaging stor Could you imagine a story that weaves history, quantum physics, theology, cosmology, trepanning, shamanism, love and the seriousness of adolescence into a coherent narrative?

That it does so as a masterful, child-accessible and wholly engaging story is a feat of imagination and storycraft easily on par with Madeleine L'Engle's classic A Wrinkle In Time and its sequels.

The book has recently won an award for being "the best children's book in the last 70 years". I am inclined to agree.

The first book, The Golden Compass , features the adventures of year-old Lyra Belacqua, a precocious hooligan in a world almost but not quite ours, and the eponymous mechanism around which much of the story's plot is based.

By itself, it might seem like a bit of a flighty read - fun, engaging, imaginative, but a bit strange at times, slyly heretical, even gruesome, leaving one to wonder "What is this really about?

While Pullman shows a certain wicked zeal himself in creating a world in which wicked zealotry is as obvious - and as taken for granted - as political corruption in our own, his purpose is far grander than any partisan attack on stale religion.

Rest assured, dear reader, every scene in the book is building towards a conflict simultaneously metaphysical and worldly which is only fully revealed in the third book.

The Subtle Knife introduces Will, a boy of unquestionable grit who is destined to become Lyra's companion.

Will hails from our world, but unexpectedly finds himself in a welter of parallel worlds, where he comes into possession of a knife.

This knife has two edges; the first edge can cut any material in the world, while the reverse edge is "more subtle still", according to the knife's guardian.

The knife quickly becomes the focus of a conflict that not only transcends worlds, but also intersects Will's troubled home life in a profoundly personal way.

As new characters and new revelations enter the story, Will and Lyra come to realize that their struggles are part of something much, much larger.

The third volume, The Amber Spyglass , brings into view the literally cosmic scope of a battle that centers on Will, Lyra, and the strange objects in their possession.

The volume builds to a literally universe-shaking climax, as pivotal events never fail to surprise and yet mesh perfectly with the grand flow of the story.

I will say no more, lest I spoil any of the surprises, except to reiterate that for once I agree wholeheartedly with the critics: this series, and in particular its masterful conclusion, is transcendent, magnificent, and astonishing.

View all 5 comments. The first sentence that came to my mind after finishing this book was: anyone who would give this novel less than five stars has to be either a philistine, a charlatan, or a cynic.

To add to that: a cynic grown so dull with the slop of the world that they have been rendered unable to see the raw charm of these characters Lyra and Will, and the amazing sad kind of beauty that comes with making the irreversible passage from childhood to adulthood.

Pullman is able to weave together in the thread of The first sentence that came to my mind after finishing this book was: anyone who would give this novel less than five stars has to be either a philistine, a charlatan, or a cynic.

Pullman is able to weave together in the thread of this narrative so many aspects of our worldly existence, including physics, evolution, literature, intraspective thinking or meditative quieting of the mind, I'm not sure what to call it , religion, adolescence, and first love into a story that has all the charm and imaginative freedom of a fantasy work.

Perhaps these themes could have been addressed without talking bears and animal daemon-companions, but the wonder of being able to explore this kind of magical world is what people who enjoy fantasy love about the genre.

There are depths here to reward rereading of this novel many times throughout one's life, and it deserves to be shared with anyone who is sensitive, intelligent, and curious about the world around them.

The story itself is thrilling at times, but there is such richness here in ideas that one does not feel the need to plow through the novel in order to find out about what happens in the plot.

The chapters allow one to rest and think, and to feel the weight of what the characters are confronting in the deepest part of oneself.

An amazing work that impressed me more and more as I read through it. It truly felt like I went along in a journey that mattered, and will be sorry if the virtues and ideals I saw played out in this work aren't made a model for myself in real life as well.

So, this is a bind up of all three books in this series and it's a reread for me. This still remains true to this day and they are excellent books the second time through too.

Also, being 10 years older now than when I first read it helped me to notice a lot more of the subtle references to religion, souls, sex, body image and so on.

None of these were things I was even considering when I was young, but So, this is a bind up of all three books in this series and it's a reread for me.

None of these were things I was even considering when I was young, but now these things become a vital part of the story, making this book one which bridges the gap between fun for kids and interesting for adults.

This is the story of Lyra, and later Will. They are both children, one from an alternative world Lyra where they have deamons which act as an eternal companion and soul, and one from our world Will.

We meet only Lyra in book 1 but by book 2 and 3 we have a lot of Will's involvement too and it quickly becomes a series about friendship, strength of character, love and adventure.

The character and worlds within this feel very genuine and expansive and I definitely connected with some truly horrific moments of the plot and felt deep sorrow, joy and sadness for the different characters at differing moments.

On the whole and excellent one to reread and a solid 4. Great fantasy, amazing story! I think of all three books, I loved the first one "Northern Lights" the most because it introduced me to this amazing world, and it felt the most wintry to me with its polar bears, snow and magic.

That being said, the two other books, "The Subtle Knife" and "The Amber Spyglass", were really good as well, and especially the second book kept my interest peaked.

This is one of those series that is written for children on the surface, but that is highly relevant and rea Great fantasy, amazing story!

This is one of those series that is written for children on the surface, but that is highly relevant and readable for adults as well as it contains layer upon layer of meaning and symbolism.

I'm sure that you can read this trilogy again and again and still constantly discover new things - I certainly felt like a was missing out on a lot while reading just because so many things happened, and I knew there was more to them than what I realized.

I was constantly surprised at how intricate this series is and how relevant it is to everyone in our world.

It might be fantasy, but it is definitely true as well! This is a children's classic and I'm obviously not a child anymore.

But still, I'm very happy that I finally got around to reading this trilogy that so many people hold close to their hearts.

View 2 comments. I don't guess you could call this the "Gold Standard" of classic fantasy literature, that probably goes to Harry Potter, but His Dark Materials soars in that same stratosphere.

It is so brilliantly conceived, so intricately constructed, and so well written that it leaves one in awe of Pulliam's achievement.

A sequel, I don't guess you could call this the "Gold Standard" of classic fantasy literature, that probably goes to Harry Potter, but His Dark Materials soars in that same stratosphere.

A sequel, or companion book, titled The Book of Dust is due to be published in The trilogy is categorized as for children and teens, but it is as much for adults as it's themes and views take on an anti-religious, anti-church point of view.

Many Christians denounced the book as "atheism for kids". However, Pulliam says it is more about the dangers of strict, rigid religious doctrine and institutions than it is anti God or anti Faith.

Pulliam refers to himself as agnostic atheist. It's actually a flipped over retelling of Paradise Lost. I loved this book.

I gave it 5 stars and put it on my favorites shelf. Shelves: books-i-loved-when-i-was-younger. Spoilers below I read the first two books when they came out my middle school years but got tired of waiting for the third.

However, when this whole controversy over The Golden Compass film adaptation was started by the Christian right, I decided it was time to read the series again.

I simply didn't remember Philip Pullman's message about God and the Church disturbing me as a regularly church-going 12 year old.

Sure, it made me think about what a corrupt church could do, but it all seemed hyp Spoilers below I read the first two books when they came out my middle school years but got tired of waiting for the third.

Sure, it made me think about what a corrupt church could do, but it all seemed hypothetical at the time and certainly didn't present any doubt that hadn't entered my mind before.

When various websites quoted Pullman as saying his books are about killing God, it just seemed to me like there was an obvious caveat to that, i.

Now, having read all three books and knowing just a little bit more about faith, religion and the history of Christianity, I can see why parents would be concerned but not why they would forbid their children from reading the books or watching the movies.

While Phillip Pullman is a known atheist and our "world" undeniably plays a part in Pullman's trilogy, the story is still fictional and Pullman's portrayal of God is just one many hypothetical possibilities.

Although Pullman's Authority is supposed to encompass all monotheistic and polytheistic beliefs in a god, God turns out to be just a corrupt angel and there is no one obvious creator.

But even in Lyra's adventures I could not see anything refuting what I call God an inexplicable higher force or reason behind all things.

Although Dust makes up all living things in this trilogy, there is no discussion of why Dust came to be, just that for Dust to remain people must live truthful and full lives.

So for me, it seems entirely consistent with my belief that there is an unseen God or higher uniting power in Lyra's universe that is ultimately good and has some relationship to Dust.

Pullman's books absolutely do not preclude what I call God, or even the God I think most Christians believe in. Pullman does promote healthy skepticism and warns against blind faith and a failure to embrace life in this world, but if anything, I think his books would help parents talk to their children about these abstract and important issues.

So whether parenting from an atheistic standpoint or a strong Christian Muslim, Buddhist, etc. Just talk to them afterwards about it.

After all, helping children and young adults to try and understand the world around them and discover truth in whatever form they ultimately find it, is never a bad thing and is actually a necessary part of the process of achieving a deeper faith.

By the time a person is old enough to understand any anti-religion message in these books, he is old enough to start critically evaluating his belief system.

View all 7 comments. I wanted to take longer pauses between the novels to really enjoy them.

I've had my eye on this series for a while. Now I have a lovely bound edition with all three texts. I started The Golden Compass in high school but never finished it.

In college I revisited Lyra's story and fell back into the rhythm of Pullman's storytelling. Lyra's characterization is vivid--truly a memorable character--and I liked the world building.

Though, the pacing of Compass did not continue in the latter novels. In summer I returned to the series with The Subtle Knife.

Of course, this book suffers from middle child syndrome, but it was enjoyable all the same. I loved Will and Lyra as dual leads.

Furthermore, the titular object was so much more to my interest than a alethiometer. One of those rare examples where dual lead characters balance one another The story expanded here and grew much darker; favorite characters were revisited and new, compelling plot lines introduced.

I listened to The Amber Spyglass in summer I was so very excited to finish the series, especially knowing how much longer Spyglass is than the previous installments.

But, as many have said on GR, Spyglass is both too long and too short; it reads like a great draft but not as a finished work. New characters are introduced and die frequently; furthermore, I failed to understand the introduction of several new species, no matter how interesting they were.

Additionally, the ending was anticlimactic. Far too many elements were distracting during my reading of Spyglass.

But all the same, I appreciate the world building in addition to the exploration of religion and adolescence.

Some of my favorite novels manage to combine the highly literary or experimental with the fantastical. I'm willing to take a chance on books considered straight fantasy or science fiction, but I haven't been making the best choices this year other than Kraken.

I gave Golden Compass a chance having found that many GR folks including friends have given it top marks. I didn't realize it was considered YA fiction nor had I seen the movie.

Frankly, I was underwhelmed. I had expected the next Lord of the Rings and this was nowhere near the sophistication of that work.

First to the good: I appreciated a certain feminist sensibility that surrounded the main character, Lyra. Early on in the book it was directly called out that females were "not permitted" to enter the private club area of the college where she was raised And this event led to all that followed.

She was a clever street smart girl who despite her diminutive size and youth is directly responsible for saving the day. She is the heroine through determination, compassion, and wit.

I felt enough urgency in the plot to want to know "what happens next. The Gyptian tribal people demonstrate a certain level of "town hall" democracy in their decision-making process.

Although, they still had a leader, he seemed to rule more by moral strength and fairness than by force or even by convention.

Now to the not-as-good: I did not get the deep believability from the characters that the best writers manage to create.

I never bonded with the main character nor her friends to the extent that they felt real. Neither did the villains of the piece.

They seemed even more exaggerated and one dimensional than the rest. The Gyptian tribe seemed rather like a cross between Gypsies and Native Americans, and they were a bit too "perfect.

Occasionally weak logistics. By that I mean, when a writer needs to create an actual physical experience such as a fight or moving a character through a house, they must deal with logistics.

Describing the actions in a way that allows the reader to visualize the event without bogging it down without too many words and mucking up the pace of the narrative.

At times, I found Pullman's logistics awkward or vague. Distances were unclear and timing was off. Some of the relationships felt forced.

Lyra manages to convince a warrior bear to join her quest and before you know it she "loves" him in a platonic way.

The build of this love was not very convincing--it seemed more like a device contrived by the author in order to increase the drama and emotional weight of the danger experienced by the bear.

Lastly, I'll comment on the accusation of "anti-Christianity" some have leveled at this book.

I was really looking forward to some bold blasphemy but found nothing of the kind. The book seems to actually endorse the premise that literal souls exist although it manifests our souls as visible spirit animals bonded to each human.

There is a running theme through the book that the fictional Church is trying to hide certain revelations that might bring into question orthodox religious doctrine.

And they are willing to do cruel and violent things to hide them. But this doesn't call into question religious beliefs so much as it simply accuses a religious institution of corruption.

Even Roman Catholics recognize that their church has done horrible things in the past such as endorsing the burning of witches and so-on.

Popes have fathered kids. Priests have molested kids, and the church covered it up. But all that doesn't necessarily invalidate Christianity so much as certain institutional behavior.

So overall, nothing much to get excited about there. Although, I am modestly curious whether Pullman will go further in the subsequent books, I did not find this compelling enough to read further.

End of story. View all 28 comments. This review has been hidden because it contains spoilers. To view it, click here.

After hearing the allegations about the books that they are intended to persuade children to become atheists , I was feeling like people had not given them a chance.

I had already begun to read The Golden Compass before I had heard about any of the controversy, after all, and there was nothing that I could find that was questionable.

So I continued to read. Even after the second book, it seemed as though he was only speaking out against corrupt religion, which I think is a good thing.

Not too far into the third book, however, it was clear that he believes all religion is corrupt. The premise of the books is essentially that there was an angel a long time ago that put himself above the other angels and called himself God and the Creator even though he was not and that his goal is to keep people from gaining knowledge that's why gaining knowledge was the original sin.

And they enlist the help of two children to help them destroy God and create the Republic of Heaven rather than the Kingdom.

There's a lot more to the stories, of course, and they are well written and interesting, but they still really hurt my feelings.

In his books, the only religious people are either power-hungry hypocrites or fearful and ignorant.

He writes about love and accepting people even with their faults his main characters are flawed on purpose, I think and the power of human relationships and following your instincts and the great value of learning.

I am in complete agreement with pretty much everything he writes about those things. He seems to have a good understanding of how we all interact with and need each other.

But the major flaw I see is that his goal is to show that religion is the antithesis of all of those good things; it is only useful for repressing people.

So, while he may know a lot about life, he is quite ignorant about religion and people's reasons for being religious.

Maybe he should stick to writing about things with which he is familiar. For the record, I still don't think it should be removed from the shelves at school.

As my sister said to me, "Nothing good ever came from censorship. It would probably create more problems than it would solve.

And I want to have my freedom of expression protected, so I can't take away someone else's. Still, I think parents should be making informed decisions about what their children are reading.

View all 8 comments. Recommended to Lisa by: Ken. Shelves: fiction , readbooks-male-author-or-illust , novel , speculative-fiction , childrens , uk , orphaned-and-quasi-orphaned-kids , reviewed , young-adult , z I got this edition containing all 3 books in the trilogy because of the author's lantern notes at the end of each of the three books.

As of the first book, didn't find the notes worth reading; the second, they were slightly more interesting but not essential.

I did appreciate those that came after the third book. This book was a rollicking good ride. Terrific story. After book 1, what is to happen remains a mystery to me, but one I am eager to read.

Lyra is a wonderful character. The Subtle Knife: 5 stars: The book is engrossing, suspenseful, with wonderful storytelling.

Jan 4, I think the reason for low US gross is number one it stars a GIRL Most male reviewers panned it and female reviewers loved it and it requires you to think which is something of a lost art here we keep electing crooks who are stealing us blind.

I do not think the Christian Nazis are the I think the reason for low US gross is number one it stars a GIRL Most male reviewers panned it and female reviewers loved it and it requires you to think which is something of a lost art here we keep electing crooks who are stealing us blind.

I do not think the Christian Nazis are the problem as they do not go to Hollywood movies anyway. The only reason I went to see it was that the Pope said that I should not.

Until then I thought that it was just another mind numbing fantasy for children like Lord Bored of the Ring.

I fell asleep during the first LOFR movie and have not watched any of the sequels. GC was two hours long but only seemed like an hour.

I have gone back and seem it twice more. Once to catch the details I missed the first time and again to analyze the story. I hope the sequels will not have to be dumbed down even more for the US audience just to get a higher box office.

Dec 8, Solid movie, with weak parts saved by Kidman and spectacular visuals. Story is streamlined from book, but mostly with success.

Magisterium is a perfect 'alternative' to the Church; it's clear to any educated person what it's referring to and drives the plot nicely.

Major Solid movie, with weak parts saved by Kidman and spectacular visuals. Major downfall of movie, if there is one: the ending is completely botched, and without a reason for doing so.

The story is already violent and tragic, so why do away with that last pivotal scene. Who are they protecting?

Either way, strong film. Trev29 Aug 24, The movie itself is quite impressive. However, the story is way too bizarre and complicated for a child even an adult to follow.

KentL Dec 7, Graphics and acting were well done. Story was solid. But, I was so unhappy when I got to the end when I was slammed in the face with credits before the story ended.

Yep, it's part 1 of who-knows how many parts. I wouldn't have gone if I had known that. Harry potter encapsulates a Graphics and acting were well done.

Harry potter encapsulates a full story in it - this just left me hanging. Dec 4, The Golden Compass. In a wondrous parallel world where witches soar the skies and Ice Bears rule the frozen North, one special girl is destined to hold the fate of the universe in her hands.

When Lyra Belacqua Dakota Blue Richards becomes the keeper of the Golden Compass, she discovers that her world -- and all those beyond -- is threatened by the secret plans of Mrs.

Coulter Nicole Kidman. With the help of Lord Asriel Daniel Craig and a group of unlikely allies ready to stand at her side, Lyra embarks on an extraordinary quest that celebrates friendship and courage against all odds.

All Rights. Lewis' timeless and beloved adventure. With the stunningly realistic special effects, you'll experience the exploits of Lucy, Edmund, Susan, and Peter, four siblings who find the world of Narnia through a magical wardrobe while playing a game of "hide-and-seek" at the country estate of a mysterious professor.

Once there, the children discover a charming, once peaceful land inhabited by talking beasts, dwarfs, fauns, centaurs, and giants that has been turned into a world of eternal winter by the evil White Witch, Jadis.

Aided by the wise and magnificent lion Aslan, the children lead Narnia into a spectacular climactic battle to be free of the Witch's glacial powers forever!

Oz The Great And Powerful. When Diggs is hurled away to the vibrant Land of Oz, he thinks he's hit the jackpot - until he meets three witches Mila Kunis, Rachel Weisz and Michelle Williams , who aren't convinced he's the great wizard everyone's expecting.

One of those books you don't want to finish. The trilogy is categorized as for children and teens, but it is as much for tvno as it's themes and views take on an anti-religious, anti-church point of view. The only reason I went to see it was that the Pope said regret, dsds wer ist raus gestern matchless I should not. None of you were specifically informed that you read several grade levels ahead of your peers? This novel was beautifully written and was a wonderful and fantastical https://fannonser.se/hd-filme-stream-deutsch/justice-league-the-flashpoint-paradox.php adventure.

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